Out Of Touch

Solo Exhibition at P8 Gallery, Curator: Hagar Brill 

Plater wall, archival pigment prints, ready-made pipes

Dimensions of the plater wall: 400X300x13cm

Year: 2019

ShirLusky_ OutofTouch2.jpg
ShirLusky_ OutofTouch_Detail2.jpg
ShirLusky_ OutofTouch3.jpg
DSC09592.jpg

Stairway, 2019,Archival Pigment Print, 133x200 cm

Out Of Touch / Text by Hagar Bril (short)

Shir Lusky exhibition Out of Touch was forged out of a deceptive and complex relationship between photography and sculpture, between flat image and three-dimensional material. Through the dialogue between them, Lusky introduces us to the possibilities of a vague physical existence, partially real, both tangible and hidden. The same blurry space appears frequently in Lusky's photographs, which trace material disturbances: openings, fragments, windows, holes and potholes. Through these images, she is seeking the possibility to go deeper, to go through, to immerge on the other side of things. This is an attempt to dismantle the partition between the inside and outside, trying to allow the two separated sides to drip over through the concrete, steel and plaster barriers. 

Lusky’s photographic world of images seeks to rearrange the relations between strata and superficiality, openings and obstructions. By relating to their dual nature, Out of Touch allows us to reflect on existential validity stemming from the creation of an image – but also shattered through it. Thus, the exhibition demonstrates for us the gray area that exists between what we see in the world and what is really in it.